If you have the same aperture but focus it in closer to your camera, the depth of field becomes incredibly shallow. The farther away from your focus, the wider your depth of field is spread out. Why is it working? There are a lot of elements going into this, but it comes down to the fact that when you photograph miniature objects, your depth of field is impacted a lot by how far away you’re focused on. What you should see is a thin section of the clip that is in focus and a roll-off to out of focus elements, which is already giving you the impression that everything is smaller. Step 4: Understanding Depth of Fieldīy now, the basis of your effect will start to take shape. Then go back to the adjustment layer, go to the Effects section, and select your Blur Map. Once it’s inverted, go to the feather properties and increase it until you get a smaller portion that’s solid black and a very gradual falloff to complete white. Then go down to your parameters for your mask and Invert it so that the black is in the center instead of the white. Stretch the rectangle tool over the middle of your screen so that there’s a strip covering about 60% of the middle. You will create the map by choosing the rectangle tool by selecting it, or with the shortcut key Q. Once you’ve named your layer, double-click on your Blur Map composition. You should also name the new precomposed layer to “ Blur Map ” so you can easily identify it later. To do this, right-click on your composition and select New Solid. To create our own blur map, you’ll need to add a solid white layer. It does this with black and white: white being what you’re telling to be out of focus, and black being what you want to keep in focus. So, what is a blur map? It’s basically a way that you can tell After Effects to select the parts of your image to put either in or out of focus. Lastly, you need to choose your Blur Map - but before you choose one, you’ll have to create your own first. You can play around with the other parameters, but there’s only one more that you’ll definitely need to focus on, your Blur Map. Next, you’ll want to check Repeat Edge Pixels to get rid of the dark fringing around your image. For example, if you choose a triangle, the bokeh circles will actually look like triangles - you can play around with what you personally like. The more blades, the more circular and delicious your bokeh will look. Next, you’ll want to go to Iris Properties and Shape, which basically tells you how many aperture blades you want your theoretical lens to have. Right now, you’re aiming to decide what you want the most blurry parts of your image to look like. Try starting out with about 20, then increase or decrease it based on your preference. The main parameter will be the Blur Radius. Once you’ve applied the Camera Lens Blur, you can change a whole bunch of parameters, but you really only need to focus on a couple. The Camera Lens Blur will help you get the specific look that you want. Once you have the new layer, search for Camera Lens Blur in your Effects Panel. To do this, you’re going to right-click on your composition and select New Adjustment Layer. Instead, you’ll add an adjustment layer and work with that. But you don’t want to apply the Blur effect directly to the footage. Next, you’re going to blur out the entire image using a specific kind of blur, the Camera Lens Blur. This will create a new composition based on the parameters of your clip. Take your footage and drag it over the New Composition button. Once you’re inside After Effects and you have the footage that you want to make look miniature, the first thing you’ll want to do is create a new composition. How to Make Footage Look Miniature Step 1: Create a New Composition
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